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打鱼游戏机2020年05月25日14时43分58秒

时间:2020-05-25 14:43:59 作者:YY直播 浏览量:45324

复制网址打开【AG88.SHOP】虾米音乐 5ZDRHJqKText /s【izeAaAaF【\r/om climat\e change to deforestation,pollution/to t\heloss\ of biodiversit\y, the biggest threats 【to the environment come with a growing awareness and a new willingness to embrace 】moreeco-friendly solutions. 【We】 collected five inspiring examples from around the world.One of th\e\ 】】things that got scie】ntis【ts worried is that/ swarms /of summer bugs seem to be a thing\ of 【】the past. In /the US【, ma/ny states are trying to /stop thei】r /decline. Maryl】】and\ came u/p wit【/】】h an id\ea whic【h already \proved itself, howev】e【r, for\ s【o\me\,\ it might seem to /be contr\o\versial.Another good \examp【le is the tin【y Greek island of T/il【os, which i/s soon to go completely off-grid as i/t benefits 【from the joint \initiative of t/he U/ni【ve/rsity /of\ Ea/st Anglia and the Unive/rsity o/f Applied \Sciences in Pira【eus. T【ilos\ i/s known as 】a green isl/and, pop\ular】 with hik【ers and 【bir【dwatchers, an【d most of the island \is now a protect】ed nature reserve.London is 【an es】peci\ally inspir/ing place fo\r those 【appl【ying eco-fr【ien\】dly solutio\ns, such as this】 classy【 hotel in th【//e heart 【of London, which has created a /natural 】【habitat/【 for wildlife,】】 or this s/tart-up coming up w【ith what's claimed to be 】the wor\l【d's first intelligent【 biological ai】r filter.2018 has\ seen【 some great ad【van【ces in green technology, click 【on \t】he v】i/d/】eo t/o learn mo】re about our selec\ti【on.Share this a\rticle More f\ro】m p【lacesHgnw

ca4yEU&#/039;s youngest commissioner\ on\ how to turn【 clim【ate cri【sis arou】ndMkVh

gNi0Text sizeAaAaLondon-based desi【gn fi\rm Pries】tmanGoode has launc】hed a s\ustainably/ made in-flight meal tray meant for pass\engers, a】】s pa【r/t【 o】f its ‘Get Onboard: Reduce. Reuse. Rethink&rs\quo/; proj【ect. The eco-friendly proof is in the puddin】g - as】 the【 final prototype is\ 】edible too.The new mea】l tray is made fr】om completely fo/od-safe, bio【degradeable constituen\ts. The tray itsel\f is】 made from coffee grounds and e】v】erythi】ng,\ down to the salad box l】id, is made from alternative materials】 like banana leaf and algae. The desig【n //studio had various \aims wh\en/ c】】reating】】 the concept, /inclu\ding /a reduction of single-】u/se pla\stics 【ge/nerated from a normal on【-board【 /【meal service, which the\y have managed to ac【hieve.【Other impressive\ fe\a\ture【s include an edi】ble desse】rt lid made from wafer, a reus】able s【pork made/ from coconu】\t wood, c\apsules used for sauces 】or milk/ ma/de from\ soluble seaweed and a【 h【ot mai\n \/me/al li//d made fr【】o【m \bamboo.Edib\le airline meal trayPriestmanGoode\“While there is currently no pe【【rfect solution\, \this】 \des【ign proposa】l aims to encourage su\pp】/l/iers and ai\rlines to rethin/k the m\eal servi【ce in a more eco-friendly manner, 】particu/l】arly ahead of legislation t/o ban single-use plastic,】 which in】/ som\e/ 】count\【\ries is pr】o【po/sed for as early as /2021,” say】s Jo Rowan, Associate/ //Strategy Director at Pri【estmanGood】e,/ in a press \rel】ease.Th【e design team has also inven【te/d 【a new travel【\ water bottle,/ feat【ured bel/o】w, made\ /from compostable bio-plastic and cor】k. I\t/ is desi【gned /to be used ove【r a short/-term period such as /a\ holiday and\ refilled regularly. While on-board, a water co】oler \cart would ideally be availab\le o/n the a】ircraft/, allowing /passeng】ers to refill dur【ing/ the flight to【 mini【mise buying plastic bottl/es. View thi\s post on Instagram】How can we reduce plastic bot/tl/e waste w/he/n we t】/\ravel? In our exhibition 'Get Onboard: Re/duce. Reuse. Reth】ink' @designmuseum now open, we pr【opose a w/ater b】ottle】 made from】 】biodegradable and commercial\ly c/ompostable \bioplastic and cork. \The b【ot】\tle is designed for repe\ate/d, \but shor\】【t term u\s【e, like the le/ng/th of your/ holiday, and is\ desi\g】ned \to address the im】pulse\ buy at ai/rports and statio【ns . Did you know that if passengers @heathrow_air/por\t depart/ures loung【es r【efilled from water fountains rather\ than bought plasti/】c bottles, the airport would be a【ble/】 to r】educe it【s plas/tic bott\【le /c】onsumption b/y /35/ million a year. Fa\ct vi//a \@refillhq ./ . . . . #pri\e【stmangoode #getonboard \#su\stainabl】e/design #sustai】nable #sustainability #sustainable\t】/ravel\ #zerowast/e #ecomater\ials #et/hical #cmf #ma\terials #biodegradab\le #compost/【able #\ldf19 #travelne\ws【 #avi】ati/on #in\du/strialdesig/n #pro【ductdesign\ #innovation #【de/【sign #desig】nnew【s #\desig【nthinking #design【studio \#l/o】ndonde】/sign #ecodesign #de】signinspiration #d/esignlife #tr\ansport #biodesign #tran/sportdesign . @design @dezeen @wallpa【perm】ag @designboom @designmilk @l_d_f_offic\ial @thedesi\gnair【 @design_b】urger @designers_need @pr/o\】deez @】lemanoosh_official @id_curate\d /@thepoint【sguy @the】pointsguyuk @design\bunker \@yankodesign @letsdes\【igndai】ly【 @_desig】n【_inspirationA post /share【d by PriestmanGoode (@priestmangood\e) on Se\p 12, 2019 at 11:31p/m PDTGet Onboar\d: Reduce\.Reus】e.Rethink at London's D\】esign MuseumPr/iestm\anGoode】】 s【pecialises【 in 【ind【ustrial d\esi【gn for 【the transp\ort and aviation sectors, with a particular focus on environment\a】l inno/vation【/. Its newes/t exhibitio【n at the Desig\n Museum in London explores \the iss/】ue of【 \waste in travel and \looks 】at how de】velop\ments in eco \mat\e/ri\als can \make the industry more sustainable【./ Materials inclu【de Econyl, a\ regenerated nyl\on yarn made from salvage【d fishi/ng nets, seaweed ya\【rn and 】so\me\ you 【may not have he】ard of like pineapple wood and【 Tasma】n recycle/d glass.【\According to st】a【tisti\cs】 】on their web/site, an esti\mated 5.7 milli【\on \to】nnes of cabin waste is gen】erated \on/ pass【enger fli\ghts every year, from 】sing/le】-use 【plast【ic in am\enities kit】s, to mea】l trays and earphone/s. The exhibition showcases how suppl\iers/, green in】itiatives and attempted cha【nges 【i\n custo\mer beh【avio【ur /can transform o/u】r experience across all transport modes. View this po/st on Instagra【mIf y/o【u're i【n London, 【make \/sure to visit our ex/hibition 'Get Onboar】d: Reduce. Reuse.【 Reth【ink' n\ow showing @desig\nmuseum 【. T【he ex【hibition addresses t】he issu】e of 】waste in travel, and 【explores how design thinking \【and material in【novation can】 help /us\ rethink the produc/ts 【and\ services tha【t /make up our journeys . ./ . . . #priestmangoode #getonboar/d #sustai】nabledesig\n #su】/stainable #s/ustainabil\ity 【#su\stainabletravel #zerowaste #ecomateria【ls【 #ethic/al #cmf #materials #biodegrada\ble #com【postable #ld【f19 #t【/ravelnews 【#aviation #industrialdesign #【productd/esign #innovati\on #design #designnew】s #designthin【k/in【g #d/esignst【udio #/londondesign #ecodesign #design】inspiration #designlife #tra】nsport #biodesign #transportdesign . \@d/ezeen @wallpaperma【】g @designboom @telegra】phtr【\av】el【 @sundaytimest】rave】l @tabilabo @n//atgeotraveluk @lonelyplanetmag @condenast/traveller @travelandleisure\ @timeoutl/】ond\on】】 @londonist_co\】m @wiredA post\ shared by PriestmanGoode (@\priestman/】goode【) on Sep 29\, 2019 at 9:0】9am PDTJo\ Ro】wan /concludes/, P/riestmanGoode want to &ldq】uo;raise awaren】ess of /how much was【te is c/reated when we tr/avel, and expl】ore al】ternat】ives that/ addres\】s t/he supply of】 products a】nd 】services/, but【 also what e/ach in】dividual can do to lead us to a m\ore sustainable travel industry.” 【 Get O/【n/board: Reduce.Reu\se.Rethink】 is on at 】\the\ Design Mu\seum in /London 】from 12th Se】】ptember】 2019/ \until【 9th February 2020.\Sha【re this ar/ticl】e 【 】】 Mor【e 】from】 【lifeWjUtjjlE

jP6QFi】nding gold i【n t【he gu【tt\ers of 【Brussels9NAq

UNDWEu/ro\】pe ha【s a \plas【tic problem\, o【\nly 30% of plastic wa/ste is re/c【ycledOivB

tqJ0Text s\izeAaAaAlt】hough he wa\s only born in 1984, Hung/arian G\&a//acut\e;bor M【iklós Szőke is\ al【ready a promi/】nent artist of the contempor【ary \sc【ulpture scene in Budapest/\. His main a【rtwor\k/s are public an/imal】 /sculp\tures, \noticeable for】 their “lath-style” and enor/mous si/ze. He prefers to\ work with stainless steel an/d hardwood 】ra】th/er /than traditional marble and bro【nze to give/ his art a more "mo】dern aesthetic"\.The A】tlanta Falcons recently c/ommis】sioned/ the arti\st t/o erect a giant falcon 【statu【/e in time for【 the open/ing】 of【 their n【ew Mer【cedes-Benz Stadi/\u【/m. /With a wingspan of\ /21 meters\ and a heig/ht/ of 13/ meters\, 【the mas】sive stai\nless steel sculpture \【is now the largest bird re/presen/tation in the worl【d. “Calo\/ssus” in Samo【rin \is the larges\t equine st】atue】 in \Europ【e. Other sculptures\ 】by G【ábor can be found arou/nd the world fro】\/m 】Gstaad\ to \Bahrain, 】Washi】ng\ton\ D.C. \to Niz【h/ny Novgorod. View/ this post on In】stagramMa 4 é【ve avat【tuk sz&ia/cute;vemhez egyik legközelebb álló szobromat, a 】Frad\i sa\st, Európa le【gnagyo【bb á】l】l/and&\oacute; k&o/】uml;ztéri mad&aa】cu\te;rszobr&aa】\/cute;t, am/elyet a vilá】\gon sz/in【te mindenhol】 ismernek. A】z a szeretet és b&uum/l;szkeség, amit szobromo\n \keresztül a\z&oacu【te;ta is k/apok nap, mint n\ap, felbecsülhetetle\n, 】e】zúttal kösz&】ouml;】nöm! Hajrá F【radi! ?【???【 #ftc #eag】le #hajrafra/di #gaborms【zoke 】#bud】apest #hung/aryA post shar【ed by Gabor Miklos Szoke, Art\ist (@gab/ormszoke) o\n Aug 9, 2018 at 4:25am PDTIt’s 】【not a surprise /H\ungar\/ian 【media call\】 him “H/un/gary/&rs/quo;s \coolest export” a\nd that he made it into Hungarian Fo\rbes】 Magazin】e&rs】quo;s “【T/op 10 under\/ 30&rdq\uo/; in 2015, or t/hat he has received】 numerous national and international aw【ard【s. Despit】e all the 【success at suc\h a young age, G【&aacu【te;bor never 】/forg\et【s that his sculptu/res are not just about inst【antl/y recogniz\abl】】e 】shape】s and shee\r magnitud/e. View 【this post on InstagramRise Up! /T\his mott【o【 can\ best /desc/ri/be】\ m【y sculpture\, the A/tlanta Falcon! S/he is proud, f】ree \and authoritative at the\】 same time.】 \I c】a】n't wai/t/ t【o see her again! 】???? @mercedesbenzstadium #amb】se #mbs\art #merc【edesbenzstadium #atla【ntaga/ #sbliii #【atlan】t/afalcon #touchd/own #momen【t\ #riseup #publicsculpt】ure #】arr【 #desi\gn #co【ntempor/arya/rt #gabormszok】e #\【atlantafal】con/ #at】lantafal\cons #superbowl #【superbowl【53 #sbliii #a【tlantaA post shar/ed by Gabor Miklos Szoke, Art\i】st (@gaborm【szok/e\) o】n Jan 28,】 2019 \at 8\:03am PST【We sat d/ow\n with him and Berta Hauer, his\ man\ag【er and partner, /in】 their i【mpr【essive stu/dio locate】d \in/sid\e an 【】abandoned/ /f【actory in the/ south o/f Budapest, wh\ich won the d\esign of【fice of th】e year award in Hun】gary /i\n 2016,【 t【o \ask what's the message be】hind/ his ar\t. View th【is post 】on InstagramDante Imperium Part】y in the G【abor\【 M. Szok【【e Studio ????/???】???? #】dant【eimperiu\mbrut #prenyeparty #welcometom【yworld #industria】】lparty #【gabormszoke #studiolife #sex【 #danteem】pire w】\ith @b\ertaha/uer ❤ʊ【39; 】phot/o by @gregusmateA pos/t 】/shared by 】Gabor Miklos Szoke, Arti\st (@gaborm】/szoke/) on Jan 5, 2018 】at 2\:05pm PST/When did your interest 【\/in art and sculp/ture begin?"I’ve been 【i【nvolved in crafts\ since child【hood. I a【lways drew /a l】ot and made little sculp/tu/res】. Twelve /years ag【o, I w\as a/t an art 【retr】eat wi】th\ my】\ univer】sity class\ma\tes and it \was there that I fi\rst/】 gathered w\ood planks/ and stic【ks\, a/nd rea\/liz\ed/ that it could 【actually be a pretty cool\ mean of artistic expression. It&rsq/uo;s almos】t like drawing thin【gs in spac/e【 whilst【 enablin】g you to 【mak【e massive art pieces. I quickly realized/ that this would b/e something big beca】u/se on the way back fro/m the art retreat I put the makeshift sc\ulp\ture\ 】【on top o】\f m【y car and【 /ever/yone was taking photos as I was driving【 away. So I decided to 】pursue t\his \style to make a bigger impression with my sculptu/res. It’s also a way of keeping things fr】o【m th/e past/ an\d /givin\g the【】\m a new exist\ence."What are the sustain\able methods /】a】nd p【ractices yo】u empl【oy\ in 【your a】rt?"My w\hole ar【tistic motto is /giv】ing old things new meanings, kind of 】lik】/e w【ith my stu\dio. Back in its glory days, the Manfr&e\acut】e;d Weiss Steel \and Metal Works he】re in Cse【pel【 was t【he second biggest in Europe. I’m r/eally inspired by old thin\gs because d【espit/e their age/, they tend 【to be】 mu\ch s【turdier【 than】 new ones.""Whe/neve\r I ca】n, I\ create my art from reused materials, tar\ a【nd found objects. Ten years ago around Chri\s【tmas time 】I】 was lef\t with a \lot 】of wood 】that I wou\ldn’t/ n\eed【 in the coming ye】ar. S】】o, in/stead\ of throwing it 【al/l out, I made l/ittle Christmas tree sculpt【ures and sold【 them. Since then, it /has become a/ 】traditi】on and I always do this around Christmas 】ti\】me】. 【On】 the o【n/e h/and, /nothing gets thrown away \and on the other it saves thousands of 【pine t\rees bec/ause 【people\ who【 buy my “trees” won’t be buy/ing real one】s for ma】ny years to come." View 【/this p\ost on InstagramChristmas gift 【alert/: My new X【mas】/ trees are out, save a tree and buy some/ a【rt☝️more/ i\nfo】r\mation/ 【on the /web】site, \click \on BIO;\)/??A post s/hared by Gabor Miklos Szoke, Arti/st (【@gabormszoke)\ on Nov 16, 201】8 at 【7:25am P】ST"Enviro\nmental a】wareness in ge/neral is 【something\ that/【 is very 】important for Berta an】d m【【/yself. B】ack in 20/10, righ【t /a\fter fi\nishing my s【tudie/s, I represented Hungary at a/n/ 】international art\ comp】etition o\rganized by th\e【 Collegiu】m Hungaricum Vienna. The th\eme was the Dan】ube Ri/ver. Unfortunately, &ld】quo;civilization” ha\s dec/imated the once v/ibra\nt river an\d turne\d it i】nto an oily, contaminate【d smu/dg/e. In \the Danube River, the sturg】eon is on the brink of extinction. Th】ese f/i【sh are e【xtremely sensit/ive to】 environmental p【re】ssures, making the\m/ valuable indicators for healt【hy【 rivers. To\ emphasize how dire the situation \is, I ga【\thered pla\stics and debris f【rom the Dan【ube to create "The Last Stu/rgeon" piece. These m/at【eria【ls, the manner of\ formulation, the fish&r【】s【quo;s f【ractured ski/n – all this re/fers to】 its unnatural 】way of perishing an/d \calls 【on the viewer to take greater responsib/ilit【y/ for our h】【itherto ne\gligent attitudes towards the species t【hat sh【are t【his planet 】with us【.""T\he Last /St】urgeon" sculpture in【 ViennaSoc\ial \responsibility\ in general is of great importance to 【you. What ar】e some of the\ most press\ing cause/s fo】r you c】urrently? How do you address them in your a】rt and what else are you【 doing 【to fight for th\】em?"In 2014, 】I wa/s// as/ked to create a symbol for t】he Tollwood F】esti\val in Munich/. This festival is k】n】own fo】r its stance \on envi\ronmental and /ani/mal 】welfare issues. T\hat year the f【\ocus was】 on the \ter】rible conditions endured by fa/rm animals 】so I create】d the “【Sad P【ig”, a gi/ant p【i【g statue t】hat i】s】 far too】 big for the nar/row ste\el cage it is forced to live in. A】【t that ti/me, Munich【 had/ the/ hi【】ghest pork consump\tion in\ all of/【 Europe/ so I \wa\nte】d to r\aise awareness about the animals’ t/ragic fates.""Sa】d Pig"/ at\ Tollwo】od Festival/"Sa【d Pig\" at Tollwood Festival"Also, I try【 to 【do/ what I ca/n for disadva】nta】ged a\】n\d minority communities /here\ in Hungary.\ In【\ 2012 I】/ took part in【 the c】haritable Hello Wood】 art camp/. I d\ec\id/ed to create a tot\em animal in the /form of a “Guardian Tiger” for one of th/e】 poorest v/illages in/ th【【e country, where m】ost members belong to the Roma /mino\rity. The villa//ge endured many hardships and muc】h violence in the pa】st】 】but with the【/ arrival o【f this/ 【“guardian】”】 came media attention and with】 \t【hat, 】g\overnment funds to raise the\ standard of 【/living in this villa/【ge. Th【e villagers love this tiger, t\ake great care/】 【of it, and 】or】ganiz】e an an【nua/l "Tig\er Festi】val". Seeing all this positive \im\pac\】t was one of 【the/ most touchin【g m/oments for me. By do【ing good, good】 cam/e \back to me a】s well because it was this project /t】hat g/ot【 【me global media \attention.""The Guard】ian Tiger【" sculpture"Af】ter the “Guardian Tiger&r【dquo;, the authorities】 of similarly disadvan】taged/ 】lo】c【ales\ started to g/】et in touch with me to brighten up/ the lives of thei\r citizens 【through art【. In 20【13】,【 I installed a guardi/an unicorn in the f【orest near t】he Russian town】 of Vyksa\,/ known for being the largest manufacturer of steel welde\d pipes and railway wheels 【in Russia. The magical creatu】r【e rem/in\ds pe【opl【e that you can be an individual even in a glum, i\ndustrial town. A \si】milar colourful unicorn was create\d the same year in Kazi【ncbarcika, an i\ndu】strial tow\n in Hungary full of apartments' blocks. Lo/cals really【 l\o\ve this 【】unicorn and pla【nt pretty fl【owers on】 the roun\【dabout on which it&rs】quo;s l/ocate\d. I eve【n think that\ one year it won the country&rsq】uo/;s 'Prettiest Roundab\out' award!/""Rainbow Unico【r\n""\I find i/t ve\ry im\portant to improve the visual 】culture of kids so】 that the coming generations kno】\w/ how 】to app】reciate and preserve beauty】. Th【e Hungar】ian town of Érd commis\sioned /\me to bring【 life to local k\ind\ergarten building/s and I d【ecided to get t【he\ ch】ildren in】volv/ed【 by encouraging them to take part in the brainstorm【/in/g process. I 【as】ked them questions like\ what they dreamt of, what th【eir f/avorite】 animals were, et/c. and together we create\d friend】ly animals all around\ the kindergarte】ns./"The Kinder/gart】e】n Project/Eva Szombat"In general, I beli【eve the sculptures in pub/li【c spaces affect 】p/eople&rsqu【o;s l/【ives no matte/r wher【e they are. And 【】as【 for【 【my wo/r/ks, they a\re a【lways\ exactly】 whe【re \they ne】ed to 【be and t/hey always somehow refle/ct and connect to/ the place they are in."Ho/w, in your opinion, does art he】lp】 raise awareness about impor/ta\n\t\ issues\ like a】nimal welfare an/d climate/ ch】a\nge?"In t【erms /of PR and communications, you can do a lot of messagin】g. 【I/ cre】ated a rhino sculp/】ture 【\for the Budapest Zoo in 2013 and it’s a re【curring th\】eme for me. Every ye】ar\ I p/ost a ph】oto of it an/d rem】ind my\ fol】\low\ers/ that this year there are a lot/ fewe】r of t】hem l/ef【t in the wild than the year b/efore." 【View this post on I\nstagra/mVisitin/g Sanyika【 a【t th【e Bartha Factory ?/?@tomi.bartha #【Sa\nyika #Sa】nyib&aacut】e;csi #rhino #rhino/ceros #wild\life #be/echwood #\【sculpt】ure #bigb/oy #gabormiklosszoke #габ【086; 】88;l【4;&【#【1080;клошсё 】82;еA post shared by Gabor Miklos Szoke,\ Artist (@gabo【rmszoke) on Mar 3, 【2016 at 1:20】pm P\ST\"I try to stick /to the animal t】heme /not \only【 be/cause they&rsqu】o;re a cool s【hape【 but because there’s an【 underlying message/ I /【usually want to get across with eac】h work. Because t【he】y are mostly/ on display in public 【】spaces it helps reac/h al/l ag【e grou】ps and social backgrou/nd【s and \ref】lect on the role an】imals pla/y in our lives."Share this article More\ 【from l/ifeeRQb

【Text si/zeAaAaOnce upon a time, there were th/ree bro\thers\...the story o/f the second/ best rest【au/rant i【n【 the w【orld, called El Cell\er de 【Can\ Roca, 【could 【start like a fable but thi\s story i\s actually real【. The Roc】a brothers' 【passion f【or co/ok\i\ng led them to open their 【restaurant in 1986\ and it has received thr【e【e Michelin-stars since then.Thei】r commitment is【 not limited to \cuisine, th【e restaur】ant operates【 a zero-w【ast】e【 p/olicy. Celle】r de C\an Roca&rsq【uo;s】 philo/so/phy consists in enhan/cing the loc】al【 products a】nd favouring sustainabi\lity.Ea/rl【ier /this year the restau/ran\t got int\o t\he spotlight bec】ause of finding 【a\ c/reative way t【/o make a good use\ of their 【plastic; they hav】e teamed up with Span/ish des】igner Andreu Carul\la, who \transformed t\】he p/la】stic waste of the/ restaurant into hex\ago】nal stools.And now the three brother】s 【have found 【another /way to \r【ecycle 【/some /of the res】t/aurant's【 waste, a project/ called Roca Rec【icla】.Click on the video\ 【above to learn more about /th/i】s restaurant's initiative t\o raise en【vironmental awareness.Share thi\s artic【le / \ Mo】re from wellness

bKvkHi/ppos play a【【 key role in maintaining ecosys【】t【ems..\. wi/th their poop\ 【U6Pd

vvTU【The Green Revol【ution - fast【e【r, cheaper and more eff/icient teles\copic w/indt【urbines 【j4ld

sPZhTe/xt s】iz/e】AaAa】Just ye【s【t】erday it was annou\nced t\ha【t/ 170 global news \ou\tlets have signed up for th//e week-\】lon/g &lsquo/;Covering Cli】ma\te Now\&\rsq】uo; pledg】e, starting from】 16【th Septe】mber.In an attempt to boo\st the media’s coverage of the cl/imate crisis, \US-based /Columbia Journalism Rev【【iew (CJR) came up with the 'Cov\【ering Climate Now' init\】i/ative /back in M/a】y, alo\ngside /progressive m/aga【\zine The【【 Nation. Participatin】g outl【\ets are expe】cted to partake in a week dedicat【ed to spr】eading a\war【eness around the climate crisis, through repor【ti/ng 】on uniquely environm】ental iss】【ue/s.The pledge w\as announced following an 【article, co-written b】y t\】he【 respective /e/ditors o【f the two/ \publi】catio【ns, on the C】JR, entitled &ls/quo;The media are compla【】cent while the】 w/orld burns&r/squ\o;. A long re】ad at \【over 5,【000 words/, the detailed pi/ece addr【esses/ the【 &l【dquo】;climate silenc\【e】” that pervades the bulk of the news &ldquo\;when civili】zation is ac/celerating toward disas】ter.&】rdquo; View this po\st【 on Instagram/O/ver/ 170 n【ews outlets f\rom around 】the wo】rld 】have now signed up \f\or Co】vering Climate N\ow, a pr/\oj/\ect co-founded by CJR and The /Nation aimed at stren【g【thening】 the media’s focus on 】the climate crisi【s. 】Click the link in our bio t】o \learn about our proje\ct. #\c【limatechan/ge【 #oureart/hproject #organic #sustainability #e【co【 #earth #ecostyle #gogreen #nature】 #globalwarming #blue #mountain #be【autiful #【No】pollut】ion #】pico【ftheday #coveringclimatenow\A pos\t shared by Colum\bia Journalism R\e\view (@columbiajourn\a】lism\review) o【n Aug 28/,】 201【9 at/】 12:02pm PDTNow that th【e initiative h/as come into full 【f/【orce, 170 out\lets ha【ve jumped on the b】andw\【ago】n, agreeing t【o a week of ‘Co\v\er\ing Cli/mate \Now’. The coverage be\gins on 16th\ Sept\ember and will deliber【/ately coincide w\ith th/e United Nations Cli】mate Action S【ummit i】n N\ew York on 23rd Sep】tember/, whi】ch will culminate】 t】he week.【 】A【t the summit,【 global government【s will lay ou】】t exactly 【【how they plan 【to me/et the Par\is Agr\eement to combat climate change. The central】【 a/im of th\is agreement 【is to work together t\o /keep th/e 【global temperature “w\ell belo\w” 2 degree】s Ce\】lsius above pre-indust/ri\al levels.T/he 170 participa【nts ra】【nge from wire【 service】s to /newspapers, magazines,】 educationa】l institutions, \【】TV a\nd radi】o channels and even】 independent journalists. National public /【【TV broadc\asters in\ Italy, Sweden/ and the Un/】it】\ed States will be invo\【lved, as well as scholarly journa【/【ls such as the Harvard Business R【eview.Many of/ the outlets【/】 partak【】】i\ng ar【e\ g/lobally renowned, such as Bloomberg, CB】/S News\, The Guardian, \/Vice Media and Busi】ness】 Green,\ and incl/ude independen】t j/ou/【rnalists such as Benj\amin【 Ryan from The New York Times and Alex Thomson f\or 【Ch/annel 4 News.Mark Hertsgaard【, /a\uthor \and environment co】rrespondent f\or The Nation magaz\ine, \wh/o is helping to organize 'Cov【ering Climate Now',【 told Euronews Living about his inspiration be【hind 】starting the cam】paign.“I’ve/ been co/ver【ing climate change since 1/989, rep/orting from/ 25 countries/ around the【 world\/ a】n】d much /of】 the Un\ited\ States,\ and it 【has long be】en clear that most news outle/ts have underplayed 【if n/ot outright ignored the】 en【ormous imp】orta\n/ce of the climate story."H【ertsgaard went on to emphasise that the m/edia sector m】ust【 "tra【/nsform", citing the impetus for 'Covering /Climate/ No【w' as the UN /Inte\rgovern】mental Panel 】on Climate Cha】nge's landmark 1.5 C report last October/.I【s o\n/e week of environmental coverag\e enough?For many climate /change activis】ts, s】imply o】ne week of coverage may not \suffic】e, given the gr】ave /en【vironmental adversity we are facing a】s a \planet.Zio/n Lights, a national spo\kes【person for Extinction Rebe/llion UK, \【told \【Eu\ronews Living that 【the crisis we are 】facing is "bigger than any w\ar.""Although it's g】】ood t】o hear \that the】 media will be/ giv\ing this increased coverage to】】 the climate a】nd eco/logi】/c】al c【risis, it's still simply not enough to address t【he】 situation we ar【e in. It's importan】t that more journalists wa】【ke up to the realit】y of /this cris【is【, whi】ch 【req】uires f\ocused a/nd continuou【s reporting【, simil【ar】 to war time coverage since what we are facing 】is bi】gger than/ any war."Cli\mate chan【ge protestor【sSh\e co】nclu\ded by saying, "a week is nowhere /ne】【\ar enough time to tackle the crisis we a】re in."Morten】 Thysen, a【 Clim/ate Cam\paigner for Greenpe\ace U】K】, /also】 told Euronews Living that\ this is "good news, abo【ut very/ bad news."“Most of the 【news media has rigorousl\y】 ignored】 【th【/e climate crisis fo】r【 three\ decades, and so it’s encou】rag/ing that th【ese outlets are tryin【g a d/ifferent tac【/k. Hopef/ully this period of intensive coverage will \crea\te dee】per/ un\dersta【ndin\g /an【d engagement w【hic\h lasts longer than the week in questi\on.”Share t】his article 】 【【【 Mor】e from lifeXvIr

B1HGTourism set to bl\oom in Angola’s desert regiont7Hu

sc4mRed Sea corals flourish at previously-restricte【d Israeli beach9tpV

FjQP/Cavi【ar/ with c/ompassion is set to revolutionize\ the 】d/elicacy】/DbTW

RSdPWATCH | From castles to cabins, \these homes/\ 】w【ere 】ma\de of wa】steoLgP

mN66The l【ingering death of the Dead SeavnQE

qvQPThe European Union he/ld its fir【st post-B/rexit/【 summit h\alf【 a\ year before Br】//exit.And in\ orde】【r【 to 【get ev【erybody used \to\ it, The】resa May was 【absent.Which】 ma【de sense, as】 th\e meeting informally d/iscuss\ed what 【Europe's fut【ure 】priorities should look like.Nobody wanted h【er to be part of that c【onversa\【tio【\】n, and/ t【he B\ritish\ Pr】ime Minis/ter 【w\as /probably relieved not to h/ave to contribute to 】t/hat brain【s\torm\/ing.London might also hav/e been uncomfort【/able wit/h the venue: the 】city of Sib】iu in T/rans【ylvania】 where D\racula came from, especially with t/he /next Bre【xit】 deadline falling on H\alloween.T\he EU leaders /ag\reed o】n【\】 ten points regardin/】g the fut/ure o/f Europe.Cli/mate change featured only tenth as a/ prio/rity &n/dash;】 a fact that was \immediately critic【ized /by the E【uropean Gre【en】s, not present i】n S\ibiu.They called\】 it an insu\lt to th\e young people who have bee/n vo\icing\ their 【concerns about climate chan\ge for mont\hs.Yet not everything 【is【 gl/oomy when it /】/come t/\o\ environmental politics in Europe.The day before the summit,/ eight membe/r states 【【present【ed a plan to【 cut CO2 【emissions 【t【o net zero/ by 2050.Notably】 absent was a countr】y that cut emissions twice as muc【h/ a】s the EU average last ye【ar –\ Germany.Wher\eas E】urope was trying t\o tackle climate change politically,】 the world was dist】【racted by another crisis.One that could e【asily 】【】intensify in the months ahead【.I'm talking abou【t】 /the Iran nu\clear deal which seems to on the verge of collapsing/ after Teh/r【an a\nno【unced】 t】hat it plans to cease some co\mmitments.Yet【 the one behind/ the slow death of the agree】ment is Donald Trump.He walk【ed away from【 it last yea【r, showcasing hi\s dis\dain for diplomacy and what once was a huge multilateral br【eakthrough.Next weekOn Monday, Hungarian Prime Mini】ster Viktor Orba】n will meet US Pres\id【ent Donald T】rump【 at the White 【H/ouse.The meeting will pair t【wo populist/ leaders/ who want 【to restrict migrati/【on, /have vilified jou\rnalis\】】ts and fostered 】tensions with th\e E/uropean Union.On Tue\sday, Rus【si【an Fo】reign Minister 】Sergej 】L\avro【v hosts his US counterpart M\i/ke P【ompeo in Sotchi.Their 】talks will fo【cus /on finding 【a solu\tion to the escalating crisis/ in Venezuela.And on W\ednesday, the candidates f/or the presid\ency of \the E\U Com/miss【i【on wi】l【l 】deb/ate i//n the \European Parliament 】in【 Brus/sels.This debate will be t/he onl/y【 one t】o b】ring together all\ the lead /candid【ates vying to be 】the su【ccess【or of Jean-Claude J\u【ncke/r.Last WordThis time i】t goes to\ /Jean-Claude Juncker./】 T\】he EU Commission President, at/ a press conference, w【ho tal【ked\ ab/out hi【s bigg/est m【【istakes in office."The sec/o/nd mist/ake I made was】 to listen too car/efully/ to t【he Br【itish government, Ca\mer】on, because t【h【e then-Pri】me Minister asked me not to interfere, n\ot to intervene in t/he refe【rendum campaign.It was a mistake not to intervene an\d 】n】ot to interfere becaus\e we would hav\e been the onl】y ones to \destroy 【th】e lies, which \were ci【rculated aroun】d. \I was wr/ong to be silent a【t an important moment."Share th】is art\icleCopy/paste th】e a【rticle \video/ 【embe\/d link below:CopyShareTweet【SharesendSh\areTweetS】haresendMoreHideShareSendSh】areS/ha】reSh\areSendShareShareYou/ mi/ght also like 】 \ / 】 Five stories you may h】ave /\missed /\due to\ coronav【irus 】【 【 】【 】 \ 】 【 EU 【leaders【 m】e\et v【i【a video-conferenc/e - so do our c】orres/ponden】【ts / 【 】 \ / Brexi【t: U/K 'w\【【ill not seek tra//de talks ex\tension&\#039; despite Barnier【 having CO\VID-19【 More aboutEU SummitBre\xitJean-Claude Ju【nckerEnvironmental protection \ 】 【 【Brow\se today【9;s /tagsFgKv

qAkU\Wildlife photography:“I】\t's not just about beautiful pictures”CdQ4

WTtkText si】zeAaAaThere’s no \doubt about it: /art, in its many forms, is so \much mor/e than a \kind /of s】elf-【express】ion. It 】can often be【 a force for good and much-ne/eded \chan【ge. From photography t】o lively discussion and jaw-dropping footage,/ t\hese are【 the exhibitions and documentar/ies on 【climate change around the \world/ to have on your r\a/d【ar f【or May】 2019.A】r\t + Climate/ = Change FestivalWhere】: Various, Melbourne, Australia\When: Until 19 May 2019This exciting initi\ative is a month-long festi】val 】l/ooking at the way】s 】in w】hich a】rt can make\ a diffe/rence in the】 discussion around sustainabi/li】ty and climate change. This i】s/ a s【eries of curated \exhibitions, artist t【alks and lectures w【ith some o【f【 the most p\romi】nent environment and climate ch】a\nge 】scientists, psycho\lo\gists and res【earchers】 /t\hat aims to open \】【up di/s\cussi】on】 on the wa】ys in\ whi\ch art ca】n work a/【\s an a】cti】vism【 to\o【l. This will be running in Victoria,\ Australia, but /man】y of the talks will be\ filmed, mea【ning you don’t】 have to be in the country to get involve/d wi/th this excit/ing moveme\nt.More infoClimate Change: The\ F\/acts with David AttenboroughNet】work: BBC iPla【yerWhen: Ava【ila\ble /from Ap】【ril 2019If you’ve yet to w/atch \t\his grou】ndbr【eaking BB【C /docu\ment【ar】y, now&rsquo\;s the ti\me. Presented b】y\ t】he world&rsq\uo;s】 most/】【 】resp】ected wi\ldlife doc】ume\ntary m【aker, Dav】id Attenborough cuts through the fake news】 and confu/si】ng statist\ics\ to/ bring 【us the tru】th about what is \act\ually happening to】 \our environment/\. In th】is 】hour-long progr\/amme, issues s】uch as/ sp/ecies extinction【s, deforestation and extreme wea\ther a【re all tackled. Though it i【s som【ewh\at 】harrowing - and worryin】g - to w/atch, there is an /o/verall message of h/op】e:】 that we ha【ve the pow\er/ \to t【urn the tid\【e o/【f 】cli】mate chan/ge /once】 an【d for all.More infoAltered OceanWhere【: The Royal Phot/ographic【 Society, Bristol, U】KWhen: U/ntil\ 23 】June 2019According to statist【ic【s, approxim\ately 8 million\/】 pieces of 【plastic find 【】their way into \the ocean every day. Da/vi/d Attenboroug/h brought th/e i\ssue of p\lasti【c pollu\tion to the forefront b】ack in 2017 with h/is BBC documen】t\ary, Blue】 Plane【t II 【and it has now become one the major climate change /discussi】ons】 between cou\ntries and local communiti/es. 【I/】】n 【this 【pho【to series, Mandy Barke【r has doc【】】ume】nted\ her findings as】 a ph【otog】rapher travelling the world. Comb】ined wit【h resea【【r\ch n【o/tes, /sk/etchbooks and scient/ific s\amples, it combines both art andscience to p【resent a we\l/l-rou【nded exhibition that forces th\e viewer 】to confront t【he realities our oceans are fa\c\i/ng.More infoHuman/ Natu/re】W【here: Muse【um of World Cultu】re, Gothenburg, SwedenWhen: Until M\ay 2020Bringing toge\/ther 【a collection /o/f】 poignan】t photographs】, w/orks o【f 【art an】d other a】\rchived materials, the Museum of Worl/d Cul【ture has curated an exhib【\iti【on that explores the way h/uman lives ar【e di/\rectly affecting th】e planet. Looking \at/ everything from the【 things we \choose to repair and care fo\r versus those we sim/pl\/y consume, as well as sci\entific results in/ envi】ronme\ntal p【sy】chology, it&rsq】uo;s a /fascinat\ing s\tu【dy of th】e relationship between people and the \planet we call ho/me. T【hough it doe【s feed t【h\e visitor some uncomfortable truths,【 the overall m【/essage is one of //hope】, she\dding light on m/a【ny of the positive initiati/\ves tackling to redu/ce o\u\r impact and offering p/racti/cal tips that c【a【n be taken away and in\corpora【ted into 【daily life.Mor】e i【nfoCarmig【nac P\hoto】j//ou】rna】lism Award: Arctic/: New FrontierWh】ere: Sa/atch/i Gal】lery, Lond【on, UKWhen: Until 6 】M\a【y 2019Photographers Yuri Kozyrev an/d Kadir van Lohuize】n have won the S\aatchi 】Ga【ll/e\ry&rs】quo;s ninth Carmignac Photojournalism Award for the\ir project on the Arctic. Widel】y view】ed as 】one of the most enda\ng【ere】d 【ar】】eas in the world, the Arctic【 】is home to 】the Nenets - a nomadi【c】 group that make the yearly m/igration a\cross Nort【h【ern】 Russia. F【o/r \the first t【ime e】v\er, \their journey was i/nterrupted by melt/ing frost in 2018. K】ozyrev f】ollowed【【 their progress this year and bore witness 【to the impact【 t/hat global/ warming is h【avin\g on /their lifest/yle. Lohuizen,】 on the other h】【and, /visited various part\s of the【 w\orld,】 meeting with sc】ientists, envir\onmenta】lists and vulnerable com】munities /to find out ab】out the reality of/ 【what is happening to our m/elti】ng ic【e ca\p\s.\ Each photo in t\he e/xhibition shows the sta\rk reality facing t】his part o【f the world thank//】s to t\ourism, the depleti/on of gas an】d natural resources and heavy ocean p【oll/ution.More infoWords: Bianca /Barr\attShare this arti/cle 【 / More f】\rom lifeEzaR

n7x9You can find huge q/uanti【\ties of jelly/fish in European \seas,\ but in\ som\e areas the \number of blooms is【 problemat【ic】.T\h/e \Slo/venian coast on th/e Adriatic Se/a is among those regions\ affected by destructive invasio【ns.Re/search】】ers in the coun/try believe we 】could \somehow take advant/age of this pro\lifera/tion, es\p【ecia【lly in【/】 their poten】tial 【to clean【 up the oceans.Jell【yfish blooms a\re said t】o be a consequence of ove】rfi/sh\i【ng,\ and glo\】【bal war】ming/.Mar/ine chemis/t Katj/a Klun, who's fro】m the Slo/venia Nat\io【nal 】Instit【ute o】】f Bi】ology s/tudies l】ocal s】pecies】, such【 as barrel jellyfish and is i\/nterested in the mucus it secret【es."The r】elease/ of mucus is, of\ 【course, an indication of】 the stress. They want to protect\ th【】/emselves,"【 she says.In coop】eration wit/h Israeli 【res\earch\ers, 】the lab\oratory is de】\veloping a prototype 【of a filt【er for \treat】ment plants, u\sing jellyfish mucus.Their work is based on the a【b【\ility of the viscous l】i\/quid to trap mic【roplastic par】t【\icles.【】But /beyond this, she says "w【e \need to think about 【the sus/tainability of this te\chnology. So there is a need for more research, more pro/jects, and studying so not to be 】de\pendent】 on the 】s【easona【l【ity \of the jellyfish, how to【 cultivat】e/ i【t, and so on".A 】Europ】ean research projec/t cal/led GoJelly is aski【n】g\ whether we】 shoul】d f/i\sh jell】yfish, 】or grow them?"The wor】ld is s【earching fo/r new resources an】d \new mar/ine resources," says Amileh 【Javid【pour, a【 biologist and oceanologist and GoJe【ll【y project coordinato/r."That is 【【where the word blue growth is coming f/】ro\m. GoJelly shows the】 poss【i\bilities of usi【ng this biomass for】 a\ 【circular eco/nom\y"】.Another【 research focus is the possibility\ of\ producing agri【cultural fertilizer.Jellyfish contain r】are nutrients, such a\s phosphate, nitrogen and potass【ium th【at 【ar\e agricultural】 residues releas/e/】d at sea and a【bs】orbe\d by】 the an\ima\l.But scientists fa【ce many cha【lleng\】es, 【starting wit\h conservatio/n."If we \choose to t】reat them fresh, w\e/ can not keep jellyfish fo/r a lo\ng/ time. Therefore, we】 preserv\e them accord/ing to various d\rying proce//sses\," says Thorsten\/ Reinsch an agr】icultura/l scientis】t at\ \Cau K\iel."Other challe\nges are: How can I 【bring this 】drie】d mater\ial to /th/e plant? \Wh\at effect would this h/ave/ on soil micro-organism\s, but also on pl】ant gro/】wth, g/round/water and air quality?"Elsewh\ere an\/d【 Italian team is wor\kin/g on the/ pos\sibility of eating】 them.Their resea/rch is sti】ll underway, but the\y say that once their venom is removed, jelly\fi】sh can\ be【 d】】e】licious and good for your health."This is an extract of a \jellyf【ish that conta/i【ned mic/roalgae inside itse/lf. So in this product, there's/ both jell】yfis/h and microalgae. It h【as st/【rong【 【anti-oxidant properties/ a】nd we h】ave demonstra\ted t【hat it also has the ab\ility to inhibit the /growth of\ human cancer cells,"【 】says Antonella Leone, agricultural g】】enetics, ISPA-CNRBusiness o】ppor\tuni【ties or not, researchers stress【 the /need for an environmental\l\y】\ friend】ly model.1/2/1】【】212Additi】【onal sour【c\es •\ Video ed/itor: Myriam 】Co/pierShare this articleCopy/paste th\【e art/icle video embe】d link below:Cop】yShare/TweetShare】sendShareTweetSharesendM】ore/HideShareSe\ndShareShareS】hareSendShareShareYou might also like / 【\ Could seawe\ed be the fu】el /of】 /the \future? \ 【 / 】 / Why mo】re and more martime com【panies are mak】ing the mo】ve/ /towards E-ves/sel【s / \ 【 \ 】 The deep-rooted tr\uth \abou/t chicory root 】 \ More ab/outpl【asticC】ontam/inati】on\ of 】waterEnviron\me【ntal pro【tectionFauna and Flora【 \ M/ost viewed 】 / 】 What infl/uence on cl】i】mat【e is the 】c/oronav/irus/\ lockdown really having? / / / \The new AI system safeguarding/ premature 【babi//es f】rom in/fection \ / Messenger RN【A: the molecule that may teach our bodies 【to beat cancer/ / 【 / / \Apple a【nd G/oo】gle say the/y'll work 】together t】o tra\ce sp】read of coronavirus via smart【pho】nes /【 \ 【 How EU f】unding is changing the【 face of Latvian innovation /【 \ \ \】 【 Br【owse today's tagsLonb

9dRp【London's \ne】w natur【e res】erve has as mu【ch biodi\v【ersity as 【a rainforestkCA0

nLuQB【y Lasse /GustavssonThe rich ge【t richer while the p/o/or get poo/rer, and fis】h have no voice or vot【e. This fishy business 】has to【/ sto】\p. Govern【ments cann\ot def\end private in\te】rests an/d perpetuate ine/】quality and】 】mismanagement of/ n】atura【l pub\lic resource at【 the expens【e 【of the en\】vironment, /\small-sca【l\e fishermen,】 coast【al/ communities and the 】wi/der /e\conom/y.】 / Lasse 【】Gustavsson\ Executive Director at Oceana 【 "W/e have /n/ot come here to beg the【 world leaders to care for our future. T】hey h【ave ignore\d u【\s \in the past and th\ey will ig【nore us agai【n. We ha【ve c\o/【me he】re to let them know that change【 is comin/g whethe\r 【they like it/ or not./" Those words were spoken /by a fifteen year o/l【d Swedis【\h】 climate activist Greta T/hunberg, addres\sing】 the partic/ipants of the UN co】n【ference \COP24 i】n Katowice【, Poland】. A child/ points【 \to politicians s】aying that the em/peror has no cl【othes. Bu【t they show no shame o【r】 emba\rrassmen】t/ and keep leading/ us /】astray. The world 【is on fire. We live in times of unprecedented envi】ronmental crisis, the【 “Anthropocene&rdqu【o; ep】oc\h, where h/uman】i/t】y’s destructive impact i\s undeniab【le. H\umans /e【xcessively b/\urn fossil //fuels,\ cause deforest//at【ion, de【struction of ecosystems\, loss of biodiversity and s【pe/c】ies 】extinct】ion. We ha】ve p\o【lluted our【 o/ceans /with\ plastics and\ overexp【loi【ted their【 natural abun\da【nce.【Climate【 change i/s a global challe【ng【e and one of the biggest threa】ts to humanit\【y. COP24 is likely\ to 【fail d】ue to a lack of politic\al will to act and shocking sho】rt-term 【ex\pedience; the road t/o mea/n】ingful cha\nge is very long and bu/mpy. However, there is 】hope in】 【other quick\-/win decision】s to be tak【en which directly impact 【the envi\ron\ment and can b】rin\g immediate results.One such/ opportunity is the A\griculture and 】Fisheries Council taking【 place on】/ 17-18 De【cember in Brussels. European fishe\ries minis/ters will 】decide on annual catch quot/as for the Atl\antic /and Nort】h Sea; \t】hat【 is to say, how mu/ch f/ish ca/n be saf/ely ta/ken out of/ sea wi/thout compromising th\e st】o【ck&/r\squo;s recovery cyc/l【e.\ Fish is the perfect protei】n and \if pr【operly managed, can be a self-ren】ewing natural source of food which \contributes t/o our eco/nom/i/es.E\U l\aw req\uires that management be ba/sed /on scien【ce&m\das【h;biologic/al models assess t】he condition 】of stocks and advise on next year&rsq/uo;s 【catch limits.】 However, the reality is diff\erent due to petty politics. December’s Council is /an earl】y Christmas gi【ft//\ for usually /lo】w-key fi/she【ries mi/nisters and /an opportunity for/ them to shine【 in the media 】and boast】\ 】abou/t how much fish they n\egotiated in Br\】ussels. 【They pa/y lip service to sustai】nabili\ty while the deals they re】ach in t\his annua\l【 h】orse-t【rading】 ritual often overshoot scientific advice a/s】 t【hey co】ntinue to set catch limits too high.Thi\s C】ouncil is special; it is 【the/ last\ on】e for【 En\v】iron】ment an\d 】Fishe/rie/s /Commissio【ner Karmenu Vel/la, who\se term is comi】ng to an \end.】 The decision made will be h/is swan【 song and a last 【/ch/ance to lead the reluc\tant member states back on track with their own legally-binding com\mitment/【】s. C【ommissioner Ve/lla’】s heritage is less flamboya【nt than th/at of his predecess【or, Maria Damanki, who initiated t【he Common Fisherie】s Policy’s reform (【CFP) whi/ch\ resu【lted in】 a】n ambitiou】s EU law with a clear objective: to stop ov/erfish】ing by 2020\.Vel/l/\a’s job was the techni【cal implementation the【reof./ Re\c\overy of the iconic blue\fi】n t【una, hailed as a s\uccess sto】/ry】【, wa\s recently marred【 by 【scandal and a Europo【l criminal investig\ation in Malta, Spain an\d】 /Italy, 】resulting\ in 【t\he sei\zure of over 80 tons of illegal fish 】wor\th over &euro\;12 mi】llion and\ th】e arrest of 76/ people. \The Mediterranean Sea 【is in crisis, with an【 o】verf】【ishing ra/te of over 90% of\ 】a】ssessed stocks. Ho/wever, Atlant/ic and North Sea EU fish】eries - overexploited by 40% - s\till 】stand a chance to del【【iver by the\ leg\al deadline o/f 2020.T【here】 has never/ /bee\n \a bet【te】r】 moment to【 switch to fully sustain】able】 fisher【ies. EU fleets/ alr\eady make record/ high net pr/ofits compared to\ oth【【er ind/ustrie/s due to low f】uel price】s and improved produ【ctivity of/ cert\ain stocks. Th【e/y can afford/ a short-term, necess/ary】 reduction in【 quotas for the sake of longer-term gains. Healthy fisheries yield \impressive returns\, and\ sustainabilit//y p/rovides long te\rm pr\ofitability.In 【contrast, overfis\hing is against common sense, the \law, t/he e【nvironment and the ec\ono】my; it costs us jobs, food, and/\ 】m【one】y. 】O/ceana&【rsquo】;s】 ex【tensive research and country case stud【ies ha/ve s【howed【 how sustainable fishing/ /based on science can further con/tr】ibute to the EU economy:】 60% mo\re fish landings 】(2 m】illion to/\nn/es), EU GDP inc\rease of &e】/uro;4.9 billion, 】and 92,000 new jo\bs【. Thos/e are enor/mous social\-econom/ic 【gains w】hich are har/d to ignore.And yet fisheries minist【ers are dea】f t\o this st/rong argument. Their irration】al behav】iou\r can on/ly be explained by 【a lack of coura【ge, sh】\ort-term think/ing an/d catering to【 particular fisheries lobbies. Recent scandals in the /UK【 and \Denma\/rk \conf】irm 【tha【t 】“codf/athers&r【d】quo; h/a\ve 】mor\e in【fl/ue【nce than scientist】s o【n ministers\, who a\/ct like the proverbial fox guardin【g】 the henhouse.It is no coincidence 【that the worst offenders in terms\】 of bein\g cham/pions of overfishing /are the\ fisher\ie【s min\isters as \th【ey ignore scientific advice and/ cosy up to \the fi/【shing companies. Five wealthy UK families c【oncentrate power over more than a quarter of the country&rsquo【;s】 【【fishing quota, disc/rim【inati/ng against smaller-sca【le fi\shermen./ Simil/\a【rly in Denmark - where the fisheries 【minister was fo/rced to leave his job du【e to his 】coddling of the industry&rsquo/;s “/big fish” - the lion’s share 【of catches still remain i【n【 the han【/ds of a/ fe【w &ldq】uo;qu\o】ta\ \kings&r\dquo/\;.】The rich get richer w/\hile the \poor get poo/rer, and fish have no voice\ or vo】te. 【This fishy b\usine\ss【 has to s】top. Governments\ c/annot defend priv/ate interests and perpetuate \/inequal】ity and \mismanag/em\ent of\】 natural publ/ic reso【u\rce at the e】xpense 】\of the enviro/nmen\t【, small-sca/le fishermen, 】\coasta】l co【mmu/nities and the【 wi/der economy.NGOs and soc【iety will not beg nat【ional m/ini\s【te】rs and EU insti【tutions to c】【are for our【 planet, sustainabili/ty of our/\ natural resources, and our com\【m\on fu】\ture - it \is t\heir res】】p】onsibility. Ch/an【ge will com/e\/ eventually/, and po/l【iticians will be the【 firs\t on/】es to go. Liv】e up to y/our respons】ibilites and do the righ/\t 】thin【g: you are not onl【y po/liticians but also decision-takers and lawmake】rs. Your horizo【n\ should be the】 【good o/f future gener【a【\tions, not t/he 【next el】ection and the private【 sector’s favours. You have the/ power t【o #【/StopOverfishing.\ Bring back our /fish\ 【now!【L/asse G】ustavsson is the】 Executive Direc【tor /of Oceana in EuropeOpinio/ns【 expressed in Vie\w 【art/icles ar\e so\lely thos【e of the author.Sha/re this articleShareTweetSharese\ndShareTweetSharesendMoreHideS\hareSe/ndShare】Share\【Share/SendShareShareYo/u might/ also like / Scallo/p【】 wars: French and】 Bri/tish fi\shermen pledge talks to solve spat 【 】 \ 【 / Senegal's fishermen say /】European overfishi】ng is】 crippling 】them / 】 / / / 】Coronavirus latest: Donald Trump halts /US paymen】t【s to World Healt/h \Organi【zation / 】 More aboutEurop】ean \UnionEuropean po【l\iticsOpinionfis/hingfish industryEnvironmental protection 【 Br】owse 】today&#【039;【s tagsPluM

1.eDXJText sizeAaAa“Every】 time I \have a bath, st】ill now, I say 【than/k you. I sti【ll feel the gratit/ude. Every morning when I wake up and can make/ a cup of tea without building a fi/re, I think ‘god that’s so amazing I ca\n do that.’”I was t\hrille/d when Alex Fisher agreed to meet 【me, k【een to tell a s【tory that has been \【【overloo】ked in the last 25 years - forgotten as a new wave of climate ac【tion sets in. Alex was an env【【iron\m】enta【【l campaig/\ner for se】veral ye\ars in t】he 1990s,\ st\and\ing up for th】e tr【ees w】hen【 go【\vernment scheme/s 】thre\a【tened to\ cut /them down\. For a whole yea【r, she liv/ed outside i】n t【he /fo】rest, often/ /h】igh up in treeh/ouses or &lsq/uo;twiglo\o/s’, abse【iling d】own tree trunks in th【e morning for b】reakfast.\ Magical as it may sou】nd, the realit/y was far from the【 Enchante】d Wood in the 】Enid Blyton se\ries, a/ childho/\】od fav【o【urite of /my intervi【ewee. \For c】ampai【gners like Alex,【 it was a v【eheme【nt form of activism ag\ainst politically mo\tivated deforestation, enforced by【 /law in a bid to build mo/re\ /road【s.&l【dq/uo;&po/und;20 b\illion w【\as the budget&r【dq/\uo;/, s【he recalls. &ldq/uo;They called it the bigg\est road building s/cheme since the Romans.”\/ 【\For the 【activists, the p】roble/m wasn&rsq【/uo;t only the size of the project, but/ the places they had \chosen to bui\ld 】/th【e ro/ads. Alex/ speaks n】ostalgically \of whole /landsca】pes that were destro【yed, 500-year-】old trees】, bluebell forests, wat【/e【rfalls a【nd SS】SIs【 (specia/l si】tes of sc/i【【entific /interest) which served【 】as vital animal habi】tats. “An/ oak tre】e suppo】r/ts hundre】ds of different /species”, she te】lls me\, adding/, “】w/hen you cu\t one【 down, that’【s 500 years】 of gr【owth undone /then a】nd/ 【there.】 I】 pl】anted 10 sapli】ngs from an/ o\ak tree 25 years ago, but \they are/n’t eve\n \/old enough yet /to make a【co【rns &nda\sh; it/ takes【 】30 years.&rdq/uo;Alex's ne/wspape\r clippings from her scrapbook, char\ting 【he/r time at the road protests c】amps\Euronews LivingFrom fashion t】o the f/or\e】stFor\ \Alex, a d/】eep love and r】esp【ect f\//or nature de】veloped\ e】arl【\y on. 【G【r/owi\/ng up on the /outskirts of Brighton, she spent mos】t of her childh\ood cycling in th】e countrysi【\de and 】playin/g in her very own】 treehous】e at the end /of \the garden. As【 a young ad/ult, she moved to Lo/n/don in s/earch \of a career in fashion jo/urnalism, swap】pi】ng her/ rural roo/ts for t/he bright lights of the city.Sh\e ended up 【working 【at Vogue and, wh【】ile \her time th【ere was “unb/elievabl】y excitin【g”, sh】e soon realised that the fashion industry simply existe】d/ to\ \pr】omote what she calls &ldq【【uo;obsolete consumeri/sm.”\ “It wasn’t abou】t// caring”, she /tells m【e, “they may have seasons in 【fashion - //bu】t they take tha】t from n/ature.” What’s in for Au】tumn is out by Sp】ri/ng,【 encouraging a constant loop o\f disposal materi/alism t/hat is pol】luting the earth.&ldqu\o;I【 took som\/e t\ime out after starting my c\are\er t\o 】think about what I car/ed about m/ost.【 We were on course to destruct the planet and when I hear/d about the road p【rotest movement,/ I kne/w\ I\ had to go and take part/ &nd【ash; it wasn&rsq/uo;t /enough【 ju/st t【o talk about it. I needed to act, and I was willing to risk my life in the process.”Ale】\x\ Fish\e【rEu】ronews Living/Leaving London with a friend,】 Alex/ se】t up camp for the yea\r at the Fair】mi【le prot【est s/ite in Devon\. She \speaks fondly of\ how quickly she/ adap\ted to living /outsid】e. &l\dqu/】o;I \r】em\e/mber w\aking up in the morning, making the fir】e】 】and get everyon\e \&ls【quo;breakfast\ed’.&r/\dquo; She【 des】cribes the resourceful ways they\ woul/d\ have\ to【 adapt to w/eather【\ conditio\ns like snow. What】 daily li\fe wa\s like living outside“\Often the】 water butt w【oul】d h\ave frozen overnight a\nd I w\ould literally have to 】gat\her up the snow and melt it to try and m/a\ke people a cup of t】ea.” E【【veryday tas【ks involved cooking communa【l fo/od, “which was always vegan, because tha】t covers everyone”,/ choppi【ng /wood f/or t\he communal fire pit and carrying\ water.&ldquo】;We al/l lived in d/ome-sh/aped b【enders in【 the tree【s,【 made from】 will】ow poles. 【You connecte【d the branches to a platf\o/】rm underneath, and cov【ered it wit】/h waterproof tarp\aulins and blankets from】 the\ recycling centre.” Curious, I ask how 】they【 managed to stay wa【rm, especially【 at ni【ght d/uring the/ win\t/【er months. “Pretty much everyone/ wore ski/】 salopett】es】 th/ey picked up 【from s\ec】ond-】hand shops 】and got used to 【wear】in【g】. And /of course we m/ade wo/od stoves in every bender to huddle/ round - I remembe】【r sitting there in/ just a t-shirt in】 】Dec\ember in【side a treehouse!”T\he 【ha】rsh 【realityBu【t it wasn’t always so tw】ee. The politic【al nat】ure of\ the movement mea】nt that brutal e\victions were the norm w/h【en camping out in certain/ a\reas. 】With t/he same ra【ge she must have felt at the t/ime,\ Alex paints me a p】icture \【o【f\】 the hundreds of security gu【ards, police】 and bailiffs o】n the scene - hir】e】d to 】extract【】【 the ca/mpaigners fro】m t】he trees. &】ld/q\uo;Ther\e w【ere thr】eats o/f sex【ual violence by【 the ma】le/ sec】ur】i\ty, we were fire bombed, it wa\s extremely dangerous”, she re/collects.&ld】quo;】The security guards se\em\ed【 complet【ely unregu【lat\ed. T/【hey were employed by the road \building con\【tr\actors to cu【t us out of trees using【 big cranes called cherry-pickers. At】 one evictio/【n, I was 【str】appe\d to a tree with a 【harness on, when a pr】ofessional climber cut my s\afety line and came a】/n】d grabbed me. I was scared for my life.”\ Photos of the evi【ctions from 】A【le/【x's scr/apbookEuronews LivingThat t】ime she was arreste【d, /she a/dmits. Taken to the police s/ta/tion with purple/ bruises /up h】/er arm from the quick cuffs, she w【as /【photogra】phed and fi\ngerprinted befo\re being let go with a warning. In many ways, Ale/x rec【all】s she was one of the l【ucky \ones. “I \remem/be/r one person fell 】out of a tree a【/n】d ended up i【n a wheelchai\r.&rdquo/; She de/】sc【ribes the end/uring t\rauma from that period in /t/he】ir live【s, t【he so【un\d of chainsa【ws haunting them for years after the\ \pro\test e【nded. The frustration an\d anger behind \it a\ll, the shee/r horror of decimating the landscape kept 】the campaigner】s 】going every day, Alex exp【l/】【ains. &】l【dquo;Bu/ilding mor【e roads seemed a strang【e policy to adopt when the en\vironmental issues were s/\o well known&rdquo】;, she says. &/ldquo;They should have been 【【investing in the railways and in c/yclin\g rout【es./ T【here seemed complete disregard for any】where th\at was environmentally\ protected【.&r\dquo;The magic of th/e tre\esNonethele【s】s, a【 profou【nd sense of 【community\ and joy appeared to enc【o】/mpa】ss the 】m\ovement】 wherever 【sh\e went. “There was so muc\h\ beauty a/nd joy, it was the s】ubtle th【【ings”, Alex la/ments. //“W/【hen you are in the forest twenty-f】/our hours a day, there【 are cert】ain \things you can’【t experience anywhe】/re else. Like how the l】ight 】changes at 6 o【’clo/ck i\n the 】/morning,【 【th】e sou】n\ds of 【t/he rain on the tarpaul\in,\】 an【d wak/ing up to t/he da\wn c【horu\s.&rdquo】/;Sp】en/ding /much of /her ti/me swimmin/g and washing \in the rivers, she r【e/members that magical feelin】g wh【en, “a/ll of a /sudden, a flock o/f swans w】/o/uld just/ glide past/ 】you.” 】T【hose e【xperiences stay with h】/er t【oday as “beautiful moments where you\ just f】elt it 【was 】such a gif/t to/ be alive.”Photos of the \trees fr\o/m Alex'\s scrapbookEuronews Livin】gSpeaking】 to this \brave, humb】le woman, who ha】s never expected any recog】nition for the f/ight she foug【ht in defence of our trees, I get the 】impress\/ion that i\t wa【s an immense//ly positive time in her lif/e. Yes, th【\e brutality o【f 【the evi】ctions was traumatic, but the 【sense of\ sol【idarity p/erv】ading the movement /see【m/ed more powerf【】ul【\. The simp【l/e pleasur\es of/ cooking aro】un/d a fire every night /and the variety of roles th】e com/munity/ would play 】i】n /sustaining the camps. 】I ask h】er \wha/t she means by /this, a【nd she explains h\ow yo】u di】【dn’t ha】ve 】to be/ living outsid【e to /be part o】f the m【o】vemen】t.&ldquo】;At one of the most 【high-profile ca\mps in】 Ne/w【bur【y, e】veryda/y\ peop/le wo【uld/ come o/ut of t【heir hous【es and sa/y - 【who wan【ts a bath? Y\ou would see 70 campaigner【s graciously accep\ting, queuing up【 ou【tsid】e someone&rs】quo;s house【 to /ha/v【e a bath.【”】/ It was /the gener【osity of /the/ community /that allowed them to c\ontinue/, Alex says, and food【 /and 【clothing dona【tions from individuals /that qui】te 】litera\ll】y sustained t】he camps for a number of yea\rs.How does climate action compare today?In the en/d【,/ the road protest move/ment didn’t st\op the\ whole network from being /built, but nume】rous roads and bypasses were cance【lled at the end of 1996. Ac\t\ivists d/id man/age to save a】 l】o/t of 【landscape, \which “fee【ls like a succes/s&rdq】u】o;】【, Alex/ recalls\ /with a sad smile. “【We increa\sed awareness. At l】east 【politi\cians give lip s\ervice/ to\ envir【onmental issu\es n】owa】d/ays. They \didn’t even spea\k a\b【out it back\ t【he【n, and 】I’d like to【 think】 we had someth】ing to do with that shi\ft i/n cons\cious【ness.&r/d】quo;A shot of】 】the treehouse f】rom the/ ground at【 the protes\t campEuronews LivingWhen I \bring h【er b/ack to 】the present mom/ent and ask what she thinks【 abo/ut 【t】【he cl】imate moveme】nt t】oday, she seem【s frustrated. &ldq/uo;It&】/rsquo;s sad because everything has got so/ mu】ch worse than it\ wa【s 25 years ago, t【he gla】ciers ar】e melt【ing faster\ than ever, we’ve al/ready lost so mu】】ch 】w\ildlife.”I c\an sense】 the\ act\ivist is still alive and we/】ll in/ Alex, despite her more conventional li/festyle nowaday】/s, as an/ editor of a magazin【e】, /liv【in\g in \a house i】n Sussex with 】her son. \But all hope\ is not l】ost. &l】dquo;Greta Thunberg ha【s been /】/an amazi【ng ca/taly/st for 【the yo/ung【e】r generation”, she says. “The situa】t】【ion\ may be/ worse】 but the awarenes】s has broaden【ed. Ext/inction R\ebe】llion ha/ve mobili/sed so many people &ndash】; back then\ we wer/e called ‘crusties’, treated as ma\d\】 members\ of/ society 】an【d ost】racised.”While those o【ver the a\ge of forty wi/\ll likely remember the】】 efforts of the ro\ad p【rotest m【ovement in 90s Britain, millennials are none the wiser. I am grateful 】to have【 met Alex and to share her 【story, as grassroots climate 】act/ivism【 takes hold /of society once】 again in 2019. A 】&】】ldquo;second wav【\e”, A】lex sugges】ts. Ha\vi\ng learnt how to be s/elf\-suffici【en\t, \she&r/squo;ll never take 【for gran\ted the re\sources /that nature can provide a【nd /often longs for the days w\h【en she relied】 on the si\mple warmth of an open fire.【Share t】his article 】 / More from placesdYAq

2.5YPqWhat if】\ 】/】we use】d the sea to diver\s/\if//y the stock of a/vailable biofuels?Resear\chers in Aarhus, De\nm【a\rk, are developing a fin【ancially via】ble process that does 】just that/.An ordina\ry ca】r is used to test the seaw【\eed fu【e\l, whi【ch scientists ca//ll a 3rd generation biofuel, and is a sustainable alternative to f/oss\il fuel】s.The tank is filled w】ith 10% seaweed fuel,】 the rest with petrol】 and its performance is compared with gas station fuels."The/ e【missions we 【meas【ure are CO, C【O2, and NOX. And \addi】tionally, we are measuring th/e pa/rticula/te emissi】on】s from th】e car,"/ sa\ys Sten Frand\sen - mechanica/l【 e【ngineer and busin】e【ss【 manage】r at DT】\I."The emission te】sts we got fr】om/ the seaweed】 fuel is on exactly the 【s【ame level /\as wha\t w】e \get from the \r】eferen/ce fuel."Sea【weed biofuel 】does not e/mit less CO2,\/ but \unl/ike \petrol, it extracts CO2 from the a\tmosphere while \gro【wing.\The】 researchers plan t\o \increase 】the portion 】used in the engi】ne tank, convinced that w【e will switch 】to biofuels in 【the upcoming years."We see】 a lot of el\ectrical cars entering the m/】arket, b】ut is that a one fix-all solution for /the CO2/ em【ission【s?" asks\ Frandsen."\Because we have hea【vy-duty tran】/\sport, we have sh】i】ps/ we have aerop/lanes,/ still c】onsuming a large amount of fossil fuels. We \nee】d 】a subst】i/tute for tha】t, and maybe\,【 seaweed co【uld be\/ som/e of the【 soluti【【on【".Why /is seaweed sustainabl\e? 【First, be\caus【e it /grows 】everywhere. It only needs the su\n and the sea,// which covers 70% of ou\r planet】.Its cultivation does not /requir【e any arable 】la\nd, 】fertilizer or freshwater/,/ like othe】r\ biof\u【els made out of/ agricultural \r\esidues for exam\ple.But 】how can 【this new fu\el be produced on an industrial 】s/cale? /This is the ch\allenge of 】a European re】search【 pr】oject c/alled Mac/roF/uels.Scien\【tists at the laboratory【 in P/etten, Nether【lands, 】are /searching f【o】r the best way t\o convert/ seaweed sug\ars to f\ue【ls.In/ some specie/s, this can r/【epres【ent up 【to 60% of\ the plant.【In /the l/】ong term, th/ey woul/d no l\onger】 have to produce bot/tles, /b\ut tons of 】ethanol and butanol barrels.】 S】til\l follo】wing a rat\her basi【c process\:"First /w\/e t】ake s\eawe/ed. And t\hen we use wa/ter to get the suga/rs】 out with some enzymes or acids," says Jaap Van 【Hal, a 【chemist &am\p; i【n\【n\ovation manager at b】iorefin/ery, TNO and macrofuel p/roject scie【ntific coordinat】o】r."\A】nd then you \get a sugar solution, and j/ust like you\ pr【oduce wine or beer, you f\er】ment it to /Ethanol or But\anol, and you blend t/hat with normal ga\soline or d【iesel to pr\oduce E10 \and t/hen you 【drive y/our car \on i】t."More biofuel/ production means more /se/aweed biomass. Th/anks to economies of scale an/d mechaniz/at/ion, res/e\archers\ h/ope to cut the fue\l produc【tio/n costs by 100 per cen】t.T【oget【her with comm【ercializi】ng oth/er】 seaweed 【products【, this could make fuels economically\ feasible in the future."When we started】 the p【roject a couple o\f year/s /ago【/, we were working】 with square meters. Today we are do【in\g hectares, 【and in t【he \near future, we will go in the squar/e kilometre range," says Bert Groenendaal【/, a chemist & R&a/mp;/D project coo/rdinator at】 \】SIOEN.T】o/day】, th\e pr】ice 】of a l\itre【 of seaweed-based biofue\l \is /way to\o high, probably a】 /hundred times more expensi】ve than traditi/o】nal fuels. But when the scale will go up, the p】rice will \g】o down, and we【 will\ get into a ran\ge where we will/ be comp\etitive with tr\aditional /fuels."Based】 on the exa\mple of the w】i【nd secto【r, scientists estimate】 t【hat it will take around 25 \years for the technology to be p\r】ofitable on 【a very large scale.1212Ad【dition\al\ so】urces\ •【 Edi/tor,\ Christele Ben Al\iShare this articleCopy/pas】te\ the /article video embed link below:CopyShareTweetSharese【ndShareTweetSharesendMo】reH\ideShar\eSe/ndShareShareShareSendShareS【h【areYou might also lik】\e \】 Could jellyfis】\【h be the a【nswer to fighting o/cean pol/l\ution? 【 】】 / / / / / Liquid windows and the energy-ef】ficient bu【ildin【gs of tomorrow \ More ab\outCarsFuelResearchEcologyEn【vironm\ental protecti/on/ \ Most viewed 【 What influence on climate is\ t\he corona】virus 】lock/down /really havi】n/g【? 】 / / 】 / The new AI system safeguarding 】pr\ema/ture babies \from infe【ction / \ Messen【ge/r RNA: the /molec\ule 【that\ may teach our 】bodie/s to beat cancer 【 / 【 \ 】 \ 】 Apple and Google【 say they&#;ll work togethe】r【 to trace spread of】 coronavirus via /sm】artph】o【nes【 / How EU funding is cha/n【ging the/ f【a【\】ce of Latvi/an innovation 】 / 【 】 Browse】\ to\da【y'】;s tagsmdsM

3.hjcrFi】nding gold i【n t【he gu【tt\ers of 【BrusselsLDIZ

4.ydPoHow to become a 【】more sustain\able\ me【at eaterojat

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BWIOT/ext siz【eAaAaTakin【g you on a jou【rne】y ac\ross t/he Yorksh/ire Dales an【d all【/ the way\ to Vanco【uver Is【land, Kate Fletcher&/【rsquo;s "Wild Dress" is an autob】iographica】l me】ander through the tende/r mom【ents wher/e clothing ha\s made her f/e【el 【embedde】d in nature. A Professor o【f su】stainability, design and【 fashi】on at the U\niversity of the Arts Lond/】o\/n; Fletch【er【 h\as】 been /a】t t】\he forefront of 【the\ c】/all for s\/ystematic change in /the fas【hion /industr【y.\ In her 【first col】lection of person【al writin】gs, \】Fletcher】 ha/s chosen t/o explore the complex and often art】ificially detached re】la/【t\ionship between the natur【al world a/nd/ what 【we\ wear.Fle/tcher looks at clothing as/ something m\ore e/ssential and far 【beyond its /si】mple【, modern, role as/ a dis】posabl【e commodity. It’s \no【t difficult to see that our c【ultural relationship with clothing has been【 】distorted by years of f/ast-movin【g/ \mo【de】rn /fashio】n t】rends but as she recou】nts the story of her【 【dad&rsquo/;s favourite jumper, there is a glimmer of some nostalgic, int】ergen/er【ational import\ance that breaks through/. Mending this dec【ade/】s-old piece of clothin/g using wool found 】in hedgerows and on fences she mus\es about this as a/ rebellious /act. “As I worked my lap felt w/arm,” she writes【, “Doing this felt like a way to live not】 j/u】st through the rules of 【modern society.&rdqu\o;Ch/arlie M\ee/chamIt’【s not just abo/ut rebell【ing \for the sake of reduci/ng w【ast/e, 】however. Fletcher rec】o【gnizes the】【 way t/hat modern out】do\or clothing i【mpos【es a kind of】 distance from the natural \world.【 The 】clothing we ch\/oose to wear becomes a divisio【n; 】farmworker vs lando【wner, recr\eatio/nal h/iker vs those \who work the land. A ne【ed for\ spe】/ci】fi【c, tec【h】no\log】ically advanced outdoor gear in b\right neon oil-based mat】erials 【is, Fletcher says, ju\st another in/dicat\ion of rampant cons\um\er \cult/ure.Th/e art installati【on teac】hing us to c【are for our/ forestsLivin/g Recomm【ends | A/ "vital tool】"\ for fighting the rising tide of si】ngle/ use plasticsL】\ivin【g Recommends 】| /No/ one is too s】mall to 【make a d【iffer】enceIt’s\ a v【ery d/\】i/fferent way to int【【roduce this/ message. Distan/t from the usual ev/ils of fast fa】sh/ion’s rapidly evolving aesthetics, she e】xp/lores the im\prac/tic/ali【ty of the always new in【 the/ face o/f the a\n】ci\ent /forces of the elements. Fletcher is【n’t preaching about all of the usual】 sust【ainab】le fa】/shion clichés but instead inviting you to think differently about how you\r/ garments can bring y】ou joy. T\he thrill o【f newness is fleeting 【but\ rich cultural relat\】】io】nships can and will【 last 【a lif//e\【time.Jack Gr\angeShunning the newness\ of n\/eoprene allows you to embrace /a\ more per/me\able【 exterior【. &/ldquo】;Once we\/&【rsquo;re there, we learn from the land and listen\ to the voic/es /of the b\irds and the \rain,” she writes, “We /give attentio】n to the unta【med parts of our【 world, in【】clud/ing that 【part in ourselves. [...] And this】 requires,】 at the least, that we make the \la】yers\ that【 \we build up 】ar【ound ourselves&【\mdash; some of wh】ich 】ar】e【 fashio【n in cloth—more permeable.&rdqu】o; Our clothing does\n&rsquo】;t alway】s have to /fo【rm】 a bar】】r【ier \between th】e inside and t】he outside, sometimes, whe】n your /&ldquo\;co】at&\rsquo;s wide sleeves grip\ onto\ t/h/\e lip o】f a gust&rdquo【】;】 o】r/ your &ldq】uo;trousers, wide-】legged act as a kite&rdq】u/o; it can \help you form \a connecti/on 】with na【tu/re.Kate Fletch/【er's Wi】ld Dress: Clothing a\nd the】 natural world is av\ailable from Uniformbooks, more \informatio】n can be fou\nd here.Share this articl/e M/ore 【from\ lifeaaBh

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UUHHA\ctivists【 are】 raising funds to save Danish wooden 】【boat】sSK7P

Zz银隆新能源Ij

dhfuText sizeAa\Aa【A vegan who&rsqu\o】;s passionate about】 zer/o-waste a】n/d/【 minimising the am/ount】 o/f harmful mate\】rials she consumes, such as /pla\stic and palm oil, Shia Su is a force for c【【\hange. Her In【stagram account, @_wastelandreb【e【l_ i/s a one-stop-shop for al】/l th【ings plan【t based, off】ering practical】 tips and useful /tri\cks fo【r making life more sustainable and eco-friend\ly. W【e caugh/t up with 【he\r \t【o find out more a】bout w\here \h【er \p】assion \comes from and w\【ha/t \she hopes t/o a【chieve【 with her inst【agram acc\o\unt.What inspired you \t】o sta】rt your Instagram a/cco【unt【?&/ldquo】;】I have been bloggin【g for eight years. /As a】 blogger, having social m/edia accounts/ lin【ked t【【o the 【bl【og was something \that just made 】se】nse.&rdqu【o;How has your relati【onship with sustainable food evolved ov】e【r 【time?&ldqu【o;I st】arted out as a food blo】gg】er in 2/011, d【eveloping and \sharing r\ecipes for cakes, cook】ie/s, /and desse】\rts. As y【ou can t//ell, \I&【rsquo;】\ve got the\ biggest sweet tooth! However,【 cook\ing has always been more of a necessary evil【 - so/mething an【noy/ing th【at had to be done.【 Unfortunately, even though he finds doing chores ca】l/m/in/g a【nd relaxing,】 my p\artner\ \still【 shares my lack o\f passion for ever【y/\d【ay food 】preparation. However, when we started to\ /reduce /o】ur trash we 【tur【ned to unprocessed】 food \as it is \ea/s/y to buy pack/age【-free. 】We】 were su/ddenly faced wi/th the see】mingly enormou】s task of learnin【g\ how to prepare food&】md】ash;from【 scr\atch!/ It 【was a cha/llenge at firs\/】t】, b/ut one that was wo\rth】 i/t. At the farmers’【 marke【t we】’d ask the farmers how to prepare vegetables【 /that 【we had never seen before. They also told us how\【 th/ey g\rew cert【ain thi】ngs. We have also bee\n able\ to go to farms to see all of it first hand【, so we now hav/e /a ve【ry【 di【fferent apprecia\tion for food.” Voir cette \pu\blication sur I/nstagramU/ne publication partag&eacut】e;e par Shia S【】【u, Vegan Zero Waste Nerd (@_was【tela/ndrebel_【) le 14 /Avril 2019 &a\grave; 9 :07 PDT Voir \cette publication 】sur \In【stagramUn】】】】e publication partagée par Shia Su, Ve\gan【 Zero Wast【e Nerd (\@_wastelandrebe/l_) 【】le 5 Mars 2019 à 11 】:20 PSTHave \y/ou always 【followed a s【ustainable diet?“Not at all! E【verything s\ugar】 was wha【t I was i\nto! And because none of us u【sed t】o enjoy co】oking, we lived /off proces/sed con/venience food a\nd tak\e out】. Thinki\ng bac【k now, I wonder 【how my body man/age】d to handle】 m\e \throwing all that junk \at it&helli【p;&rdqu/o;Ho】w can pe】ople ensur【e the food they bu【y/】 】is sustainably】 】made and sourced?“Download a ca【lendar th/at tells you what /is in sea】son w】here you live. Check it and b】uy at markets i\f you can.】 S\pea\king 【directly to the growers /means you can\ as】k 】th】em how long t】hey 】will 】【still 【be able t\o har/ve/st\ (and sell) this or that, and the【y can give you tips on how/ to f/ermen】t thi【ngs o\r /】ev】en share a quick recipe/】.”“/Some \st\a】ll\s w\ill o】nly/ be rese\lle【rs, b/ut some wil/l\ be th】e 】【farmers the/mselves. Ask t】hem w】here th【eir f】arm\ is and if you/ can /visit. \/Most farmers【 are more than h\appy to welcome】 y】ou - theyalways like it】 when\ people/ show【 genuine 【interest and appre\ciatio】n! Howeve/r, if a farmer /say//s no, \that’s a red fl】ag. What do they have to hide?\ If you see stickers on produc】e w【ith the\ name of another farm, or boxes with\ other name\s, it’s an indicator t\he pro\duce migh/t not be locall\y gro\wn. If【 you ask the farmer and th/e】y deny i\t,【 that’s another red flag. Kee\p in mind these ar】e exceptions.” \Voir cette\ publi【cation sur InstagramUne publication par/tag&\eacute;e【 par Shia Su, Vegan \Zero Waste Nerd (\@/_wast】elandrebe/l_) le 2 Mar/s 2019 à 5 :00 PST Voir cette public\ation sur Ins】ta\gramUne publication part/ag&ea/cut/e\;e 【pa】【r Shia Su, Vegan Zero Waste Nerd (\@_wastelandrebel_) le 21 F&eacu\te;【vr. 2019】 \/\à 6 :51\ PSTWha\t are the biggest problem areas in f】oo【d consumptio【n at the 】mome/nt when it\ come/s t【o sustainabil】ity?“Glob/【ally, abou】t a third of the food we gro\w is wasted. Fo\od has /bec】ome so aff【ordable in p/r【【【oport\ion\ to the income, compared to a f【ew d\e/cades ago. Easy】\ c【\ome, easy \g【o. We have/ also los】t sight of ho】w f】ood is grown and 】s】o m/uch effort goes into this whol\e process, because we can \just go【 to th】e next grocery store to get】 it. 【We also h【ave th【is mindset w\here we want a】ccess to anything anytime.【 We compl/etely disregard\ th\e fact that there are seasons, or that【 som\e】 【fr/uits simply【 do not gr【【ow locally. So our food supply /chai】n now spans across the globe, and our /fo【od travels【 farther than we\ /do【 ourselves. The longer the supply chain, howeve/r, the【 more is 】wasted,\ and the /mo\re packaging is needed to 【pro】tect the c\argo【.\ /T【his me】ans more plastic wa\st】e, too.&r【dquo;How【 w\ould/ you describ【e/ your photography aesthetic? What are y/ou hoping to inspire【?&ldquo\;To be honest, I/ think my photography i\s a bi】t all over the place at the moment. My life has/ been tur【ned ups【ide【 down last year,【】 and my photograp】hy reflects that. Regardless, what \is important to me \is to ad\d value to my followers life. Rig\ht now m【y photos might no\t 】reflect the calm, more minima【list and clean【 a】est\h】etic I’d like them/ 【to, but my posts are full of【 hands-on zero w/as【te tips and infor/mation.”What ti/ps\ can you offer people for r/educing thei】r food wa\s【te?“Buy less】 t】han 】what you fee\l you should buy. We hav【e the tendency 】to b\u【y too much, /encoura\g\ed 】b】y fr/idges【 that could house an\ ele【phant 】and pantries a【 family \c】ould sleep 】in//. If】 you’re the planner type—make a/ meal pl】an, shopping lists, and stick to them!】” Voir cett【e publication sur Instagram\Une pu/blication partag&ea【cute;e par】 S/hia Su, Vegan Zero Wa\s/t/e Nerd (\@【_wa【ste【la\ndrebel_) le 23 \Janv\.\ 2019 à 8 :45 PST Voir cette 】【p【ublication sur InstagramUne publication partag【ée par Shia/ Su, Vegan Zero Wa【ste【 Nerd (@/_was【】telandr】ebe\l_) le 1 Ma/i 20 à 12 :08 PDTWhen did you start working in sus\ta\inable eating and what was th【e 】c】/atalyst fo/r d】oing this?“All the amazing, in\spiring peopl【e I/ ha【ve/ met along the way 【were the ones tha】t kept me /going. Even th【ough I\ disliked cook【ing, talki【ng to\ \the farmers and following many amazin【g sustainable fo【od bloggers like Sara /from @shisodelicio/\u/s or C【】hristi】ne 】from @】co【/n】scious_c【/ooking made me want to try r【ecipes. They spiked my curios/ity for 【food and inspired 【me to venture into/ fermenting. Who wou】ld ha/【v/e thought I【&rsquo【;d】 go】】 f【rom fr【oz/】en【【 p/\izza girl to ferme【ntation-crazed lady?&\rdquo;Can you tell \me a little mor/e about【 your book?&\ldquo;I wro】te this book with t【】he v】oic/e of one my best friends since high school in mind. She is a career woma\n with 【a busy】 schedule a】n\d a/ long com】mute. She always said she’d【 love to have a more s/】us】tainable lif【estyle but /simply lacks the time to do 【the 【research a】nd to DIY \everything. Besides, she prefers to spend】 the little free t】\ime she has with her family and he】r husband】. And I get it—who&rs】quo;s got the time, re【【ally?” Voi/r ce/tte publication sur Instagra/mUne 【publication partagé【e par Shia S\u, Vegan Zero Waste Nerd\ (@_w【【a】stelandrebel_) le 6 Mars 2019 \&】agrave; 2 :45 PST“She wanted a preferably skim-\ab】le gui】de w】ith sim【ple hacks 】that she【 didn’t ha【v【e to/ read 】cove】r to cover. So I\ cam/e up with the /very visual【 beginner-friendly cookbook-lik【\e c/oncept. It【 h【elps you /get int】【o/ the ri【g/ht m】indset and provides background information, much like t\he i】ntroductory 】sec/\tion of\ c\ookbooks explaini】ng the particularities of a c【uisine. There is also a c/hapter on ze\ro waste /helpers s【o you kn【ow wha\t【 e/】quipment will \be h/elpful fo/r your ze【ro waste endeavo】urs. It&rsqu】o;s helpful【】 and very practica】l information, but if you do/n\&rsqu/o;t have t【he e【nergy to 【deal \with it, that’\s fin【e t/oo! Yo/u can ju\st jump to whatev/er 【you feel is man】ag【eable【 for 】you at the mome】nt, o/r whatever you/ feel drawn】 】to w\hen f/lipping thro【ugh】 the pages, a【nd try o【ne or two e\asy swaps or a one-mi【nut【e】【 recipe.&\rdquo;S【hia Su&rsq】uo;s Zero Wa】ste Book is 【out no【w and avai/lable here.Share this article\ More fro】m well/nessobay

pU清洁生产6D

9NCk"By\ d/oing good, good came【 back t】o me"/;M0LM

do唐山环保oP

ib5XTe】xt size【A/aAaA【 group of British women ar【e set to\ prove th/\at in t\he【 UK, where the economy once has be/en s【haped by the textile】 i\ndustry/, it is s【till commercially viable to re\-【crea/te a l【ocal, r【esilient texti】l\e economy. They a【im to offer an】 al【ternat】ive to/ th】e \u【nsustainable global textile produc\ti【on s】ystems which /hav】e threatened /traditional British cloths almost to /exti】nction.The project takes place】, of cours\e, in Bristol the UK’【s greene\st city, the European Green Capital in/ 2015. I】n tha\t year the loca/l weav】in\g mill start\ed operating, it was the firs】t /industr】ial\ loo】m to open in the ci【t\y in almost a century.\ Th\is m【ill has be/】com\e part of /the Bristol Cloth proj/e】ct, a fabric manufacture】r to produce the UK's\ first rege\nera【tive/ non-toxic tex】tile."The】 f\arm 【we source the wo\o/l from - Fernhill fa【rm 】- uses “holistic farm\in\g&rdqu\o; techniques, it means mimick】ing natural \herd \grazing\ pattern【s," explai\ns【 the bac】k【ground \B\ab/s Beha\【n, the F【【oun/ding Director of Bri】stol Cloth project &a【mp】; Botanic【al 】Inks. "Lots of /animals】 ar【e kept together in one area 】putting lots \o/f 【nutri【/e【nts back into the soil. 】T【hey are however moved o\n quickly s【【o always have fresh new pasture to 【graze\ on. The pl\ants in th【e soil get a long time until t】h\e\ /herd 【ret】urn/ to that place. Meaning\ tha】【t a diverse speci\es\ of \pl【ants get【 to grow - all putting a varie/ty of nu/trients an\d mine【rals into the soil【. And they get【 to grow tall and /therefore also\ get deep roots,【 and t】hi】s is what makes them】 able to capture more/ car\bon from t】he air and lock it back into the soi\l- this is wh】at makes i】/t carb/on sequestering and climate neutralising."Anot\【he】r important part of 】th/e proc】ess i\s using natural m】ater\ia/ls for the colouring, such/ as plants, minerals and in【sect\s. \(A/ro/und the world,】 \an estimate【d 17 t/o 20% of industrial water】 pollution comes fro\m textile dyeing and treatment an【d an est】imated 8】,000 synthetic chemic【als are us/ed to turn raw mat/erials into 【\te【x/tiles, many /o/f which will be releas/ed into f】re/shwater sourc\es.)【As the clo/th is made from natural fibre and plant\ 】d】\yes and no toxic synthetic c】/h【emica/ls, i\t is safe 】t/o go back i】n/to the ground after i\t’s u】sef/ul life cycle and actually o/\】ffer nutrients back/ to// the soil.The project has r/aised more than £12,】000【 v\ia a crowdfunding ca/mp】aign to produce the first 200 metres of the Bristol 【Cloth/.\】Cli/ck on the/】 video above to lear\n more about /the proje】ct.Share th】is article 【 Mor\e from style7SEM

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